EDUCATION
2003 MFA - Rhode Island School of Design (RISD), Providence, RI
CERT - Brown University, Sheridan Center for Teaching, Providence, RI
1999 BA - Dickinson College, Carlisle, Pennsylvania
SELECTED EXHIBITIONS, PROJECTS, AWARDS
2021
12th Annual Drawing Discourse, UNC Asheville, curated by Pamela Phatismo Sunstrum- noted as 1 of 5 top selections
New Editions, printmaking survey, Indianapolis Art Center, Indianapolis, IN
2020
A Species of Drawing, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kate Stewart
2019
Surly Puppet, the collaborative paintings of Todd Arsenault and Kristopher Benedict, David Richard Gallery, New York, NY
Current, suite of 17 video works responding to musical compositions performed by Jennifer Blyth, James Martin, and Heare Ensemble, Dickinson College (solo)
2018
Manhatta (Danny Meyer Restaurant/Event Space), 28 Liberty Street, New York, NY-Ongoing public painting installation
2017
Play it First, Curated by Ashly Dillman, Site 57, Lower East Side, New York, NY
Cupid Angling, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kristopher Benedict
Clemson National Print and Drawing Exhibition, Lee Gallery, Clemson University, curated by Syndney A. Cross
2016
Annual Report, limited edition artist book, Printed Matter, New York, NY
2015
The Space Within, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kate Stewart
Microscopes and Binoculars, Hoffman LaChance Contemporary, St. Louis, MO
2014
Elsewhere, The Trout Gallery, Dickinson College, Carlisle, PA
2013
Kasheesh, Brian Morris Gallery, New York, NY
2012
The Deadly Talkers, Vox Populi Philadelphia, PA (Solo)
In/Lit, Brian Morris Gallery, New York, NY
Arco ‘12 Art Fair, Madrid, Spain-Exhibited by Galeria Fúcares
2011
Arco ‘11 Art Fair, Madrid, Spain- Exhibited by Galería Fúcares
N’casa, Galería Fúcares, Almagro, Spain
2010
The Vortex is Obscene, Galería Fúcares, Madrid, Spain (Solo)
2009
The Modern Acres of Driving, Morrison Gallery, Penn State Harrisburg, Harrisburg, PA
Alignments: Dickinson College Faculty Exhibition, Goodyear Gallery, Dickinson College, Carlisle, PA
2008
Specially Designated Areas for Scenic Infection, Galería Fúcares, Almagro, Spain (solo)
Remembering Dakota, North Dakota Museum of Art, Grand Forks, ND
Remembering Dakota - Chazen Museum of Art, Madison, WI
Arco ‘08 Art Fair, Madrid, Spain- Shown by Galería Fúcares
Pulse Art Fair, New York NY-Shown by Galería Fúcares
2007
The Massed Effect, Trout Gallery, Dickinson College, Carlisle, PA (solo)
A Moving World, Gallery W52, New York, NY
Gallery Artists, Massimo Audiello, New York NY
2006
New York Style, Curated by David Hunt, Angell Gallery, Toronto, Canada
Faculty Show, Goodyear Gallery, Dickinson College, Carlisle, PA
2005
Todd Arsenault, Massimo Audiello, New York, NY (solo)
Low Wall, Numbersmasher, Stratastick, and the One Who Saw You, Goodyear Gallery, Dickinson College, Carlisle, PA (solo)
The Seismologist, Curated by David Hunt, Sara Nightingale Gallery, East Hampton, NY
Off My Biscuit, Destroy Your District!, Curated by David Hunt, Samson Projects, Boston, MA
Gallery Artists, Massimo Audiello, New York, NY
New Drawing, Warwick Museum of Art, Warwick, RI
Faculty Show, Goodyear Gallery, Dickinson College, Carlisle, PA
2004
White Columns Curated Artists File, White Columns, New York, NY
2003
Unframed First Look, Lehman Maupin, New York, NY
RISD MFA Group Exhibition, Grant Selwyn Fine Art, New York, NY
MFA Exhibition, RISD Museum, Providence, RI
Work Center, Provincetown, MA, Finalist
Thesis Show, Sol Koffler Gallery, RISD, Providence, RI
Group Show, The Red Eye Gallery, Providence, RI
2001
Lay of the Land, PaperRockScissors, Baltimore, MD (solo)
Urban Elements, PaperRockScissors, Baltimore, MD (solo)
2000
Group Exhibition, E St Project Space, Washington, DC
COLLECTIONS
RISD Museum, Providence, RI
Dickinson College, Carlisle, PA
Artist Pension Trust, New York, NY
Art Gallery of New South Wales, Sydney Australia
Various Private Collections
SELECTED PUBLICATIONS and BIBLIOGRAPHY
12th Annual UNC Drawing Discourse, 2021
Dickinson College Magazine, Spring 2020 issue (pg.6 painting used as illustration)
Stumeier, Daniel. Second Sight: “Microscopes and Binoculars,” at Hoffman LaChance Contemporary, St. Louis Magazine, March 23, 2015
“Todd Arsenault’s Paintings Question Technology and its Impact on Contemporary Visual Culture.” (2013, Jan.12). www.mutant-space.com/todd-arsenault
Davidson, Lauren. Chasing Art, Dickinson Magazine, winter 2013, volume 90, number 3: 18-23
Artfetch, Issue 30, March 1, 2013 (image of drawing included in the article)
Glasschord: art & culture magazine, volume 2, issue number 6, Aug 2012 (Interview with Noah Post, Including numerous images of paintings and drawings)
Glasschord: art & culture magazine, issue number 3, March 2011
(Inclusion of storm video project titled Plain Approaches)
Glasschord: art & culture magazine, issue number 1, January 2011
(inclusion of The Vortex is Obscene body of work)
Signs of the Apocolypse/Rapture, Front Forty Press, Chicago, IL, 2008
(Inclusion of painting titled: Recovering From Glare, 2008)
Sirena- Poetry Art and Criticism, The Johns Hopkins University Press, Baltimore, MD, 2008 (Inclusion of paintings and drawings)
de Abreu Pinto, Tiago. Todd Arsenault at Fucares Gallery, Revista Claves de Arte (Key Art Magazine), July 9, 2010
Harrison, Helen A. Landscapes: Fantastic, Elemental or Formal, "The Seismologist," The New York Times, Section 10, LI Arts & Entertainment, Nov. 13, 2005
Ernst, Eric. Teased by a Curatorial Theme, The Southhampton Press, Nov. 3, 2005
Mueller, Stephen. Painting is Loaded, The Gay City News, Vol. 75, No. 39, Sept.
2003 MFA - Rhode Island School of Design (RISD), Providence, RI
CERT - Brown University, Sheridan Center for Teaching, Providence, RI
1999 BA - Dickinson College, Carlisle, Pennsylvania
SELECTED EXHIBITIONS, PROJECTS, AWARDS
2021
12th Annual Drawing Discourse, UNC Asheville, curated by Pamela Phatismo Sunstrum- noted as 1 of 5 top selections
New Editions, printmaking survey, Indianapolis Art Center, Indianapolis, IN
2020
A Species of Drawing, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kate Stewart
2019
Surly Puppet, the collaborative paintings of Todd Arsenault and Kristopher Benedict, David Richard Gallery, New York, NY
Current, suite of 17 video works responding to musical compositions performed by Jennifer Blyth, James Martin, and Heare Ensemble, Dickinson College (solo)
2018
Manhatta (Danny Meyer Restaurant/Event Space), 28 Liberty Street, New York, NY-Ongoing public painting installation
2017
Play it First, Curated by Ashly Dillman, Site 57, Lower East Side, New York, NY
Cupid Angling, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kristopher Benedict
Clemson National Print and Drawing Exhibition, Lee Gallery, Clemson University, curated by Syndney A. Cross
2016
Annual Report, limited edition artist book, Printed Matter, New York, NY
2015
The Space Within, John H. Baker Gallery, West Chester University, West Chester, PA, curated by Kate Stewart
Microscopes and Binoculars, Hoffman LaChance Contemporary, St. Louis, MO
2014
Elsewhere, The Trout Gallery, Dickinson College, Carlisle, PA
2013
Kasheesh, Brian Morris Gallery, New York, NY
2012
The Deadly Talkers, Vox Populi Philadelphia, PA (Solo)
In/Lit, Brian Morris Gallery, New York, NY
Arco ‘12 Art Fair, Madrid, Spain-Exhibited by Galeria Fúcares
2011
Arco ‘11 Art Fair, Madrid, Spain- Exhibited by Galería Fúcares
N’casa, Galería Fúcares, Almagro, Spain
2010
The Vortex is Obscene, Galería Fúcares, Madrid, Spain (Solo)
2009
The Modern Acres of Driving, Morrison Gallery, Penn State Harrisburg, Harrisburg, PA
Alignments: Dickinson College Faculty Exhibition, Goodyear Gallery, Dickinson College, Carlisle, PA
2008
Specially Designated Areas for Scenic Infection, Galería Fúcares, Almagro, Spain (solo)
Remembering Dakota, North Dakota Museum of Art, Grand Forks, ND
Remembering Dakota - Chazen Museum of Art, Madison, WI
Arco ‘08 Art Fair, Madrid, Spain- Shown by Galería Fúcares
Pulse Art Fair, New York NY-Shown by Galería Fúcares
2007
The Massed Effect, Trout Gallery, Dickinson College, Carlisle, PA (solo)
A Moving World, Gallery W52, New York, NY
Gallery Artists, Massimo Audiello, New York NY
2006
New York Style, Curated by David Hunt, Angell Gallery, Toronto, Canada
Faculty Show, Goodyear Gallery, Dickinson College, Carlisle, PA
2005
Todd Arsenault, Massimo Audiello, New York, NY (solo)
Low Wall, Numbersmasher, Stratastick, and the One Who Saw You, Goodyear Gallery, Dickinson College, Carlisle, PA (solo)
The Seismologist, Curated by David Hunt, Sara Nightingale Gallery, East Hampton, NY
Off My Biscuit, Destroy Your District!, Curated by David Hunt, Samson Projects, Boston, MA
Gallery Artists, Massimo Audiello, New York, NY
New Drawing, Warwick Museum of Art, Warwick, RI
Faculty Show, Goodyear Gallery, Dickinson College, Carlisle, PA
2004
White Columns Curated Artists File, White Columns, New York, NY
2003
Unframed First Look, Lehman Maupin, New York, NY
RISD MFA Group Exhibition, Grant Selwyn Fine Art, New York, NY
MFA Exhibition, RISD Museum, Providence, RI
Work Center, Provincetown, MA, Finalist
Thesis Show, Sol Koffler Gallery, RISD, Providence, RI
Group Show, The Red Eye Gallery, Providence, RI
2001
Lay of the Land, PaperRockScissors, Baltimore, MD (solo)
Urban Elements, PaperRockScissors, Baltimore, MD (solo)
2000
Group Exhibition, E St Project Space, Washington, DC
COLLECTIONS
RISD Museum, Providence, RI
Dickinson College, Carlisle, PA
Artist Pension Trust, New York, NY
Art Gallery of New South Wales, Sydney Australia
Various Private Collections
SELECTED PUBLICATIONS and BIBLIOGRAPHY
12th Annual UNC Drawing Discourse, 2021
Dickinson College Magazine, Spring 2020 issue (pg.6 painting used as illustration)
Stumeier, Daniel. Second Sight: “Microscopes and Binoculars,” at Hoffman LaChance Contemporary, St. Louis Magazine, March 23, 2015
“Todd Arsenault’s Paintings Question Technology and its Impact on Contemporary Visual Culture.” (2013, Jan.12). www.mutant-space.com/todd-arsenault
Davidson, Lauren. Chasing Art, Dickinson Magazine, winter 2013, volume 90, number 3: 18-23
Artfetch, Issue 30, March 1, 2013 (image of drawing included in the article)
Glasschord: art & culture magazine, volume 2, issue number 6, Aug 2012 (Interview with Noah Post, Including numerous images of paintings and drawings)
Glasschord: art & culture magazine, issue number 3, March 2011
(Inclusion of storm video project titled Plain Approaches)
Glasschord: art & culture magazine, issue number 1, January 2011
(inclusion of The Vortex is Obscene body of work)
Signs of the Apocolypse/Rapture, Front Forty Press, Chicago, IL, 2008
(Inclusion of painting titled: Recovering From Glare, 2008)
Sirena- Poetry Art and Criticism, The Johns Hopkins University Press, Baltimore, MD, 2008 (Inclusion of paintings and drawings)
de Abreu Pinto, Tiago. Todd Arsenault at Fucares Gallery, Revista Claves de Arte (Key Art Magazine), July 9, 2010
Harrison, Helen A. Landscapes: Fantastic, Elemental or Formal, "The Seismologist," The New York Times, Section 10, LI Arts & Entertainment, Nov. 13, 2005
Ernst, Eric. Teased by a Curatorial Theme, The Southhampton Press, Nov. 3, 2005
Mueller, Stephen. Painting is Loaded, The Gay City News, Vol. 75, No. 39, Sept.